电影《陵水谣》通过讲述二十年前中国青年郑玉杰和俄罗斯女大学生安娜悲欢离合的爱情故事，讴歌了新的国际形势下两国人民血乳交融的友谊，对夯实中俄两国友好的民意基础具有现实意义和历史意义。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
The 13-year-old Iqbal is a charming, imaginative and fun boy, which, according to his father, is not enough if one is to succeed in the world. But when Iqbal, his little brother Tariq (11 years) and their friend Sille, accidentally blow up their school, his father is the slightest of his problems. The two crooks, Easelman and The Swine, want to get hold of the randomly home brewed explosive and blow up Tivoli to build the biggest parking facility in Scandinavia. To blackmail the kids for the recipe the two crooks kidnap the adorable little brother Dindua (6 years). The hunt to free Dindua and save Tivoli starts - and this requires cooperation, courage and a lot of imaginative ideas, which Iqbal is an expert in delivering.
在并不遥远的未来，一个不思进取的懒人和一名积极进取的主人相遇了。懒人叫郑昊，没有事业心，不愿意奋斗，一直喜欢喜剧但是却没付诸行动。主任信奉奋斗，雷厉风行，性格与郑昊截然相反。他来到郑昊身边，目的就是督促郑昊改变自己的人生。主任来自一个叫人类意义管理处的地方，它的使命是督促懒人积极进取。而现在因为主任设定工作目标失误，导致懒人郑昊必须在24天内获得最多的意义值，即走上人生巅峰。否则，主任就会变成一个西瓜。
三年前美玉（汪永芳 饰）和泰山去找马哥购买珠宝，但是泰山和美玉咩有足够的钱 ，决定拿了珠宝走人，后来被马哥追杀，泰山死了，美玉也被抓进了监狱，三年后美玉出狱了，马哥的复仇计划也开始了，美玉要怎样对付一系列的麻烦？
故事设定在未来世界，在一个庞大的高科技成人主题乐园中，有着拟真人的机器“接待员”能让游客享尽情欲、暴力等欲望的放纵，主要叙述被称为“西部世界”的未来主题公园。它提供给游客杀戮与性欲的满足。但是在这世界下，各种暗流涌动。部分机器人出现自我觉醒，发现了自己只是作为故事角色的存在，并且想摆脱乐园对其的控制；乐园的管理层害怕乐园的创造者控制着乐园的一切而试图夺其控制权，而乐园创造者则不会善罢甘休并且探寻其伙伴创造者曾经留下的谜团；而买下乐园的一名高管试图重新发现当年的旅程留下的谜团。
过气的摇滚乐经济人里奇·兰斯（比尔·默瑞 Bill Murray 饰）在阿富汗为他的客户张罗最后一场巡演时，发现自己独自一人身在喀布尔，身无分文也没有护照。潦倒的他发现了拥有天籁嗓音的年轻女孩萨利马（...
亚美的父亲惨遭黑衣人杀害，一觉醒来，父亲活生生的站在自己面前。她以为只是自己的一场噩梦，怎知醒来后的经历跟梦境完全一样，到了晚上，父亲再次惨遭黑衣人杀害，亚美也又一次从梦中醒来。这究竟是上天的礼物，还是死神的玩笑，父亲无限次被杀害，亚美无限次醒来，一次次目睹父亲惨死，亚美唯一可以做的，就是在重复的一天中寻找线索，找出杀害父亲的凶手，打破这场轮回。
8月21日 22-23赛季意甲第2轮 乌迪内斯VS萨勒尼塔纳
Short Circuit是迪士尼动画工作室（Walt Disney Animation Studios）提出的一项实验性动画短片制作计划，按照迪士尼官方给出的说法，“迪士尼动画工作室内部的任何人都能提出自己的创意，这些创意都有机会在工作室的支持下，制作成原创动画短片。这个计划的目标，是在视觉和故事上大胆创新，给新人一个表现机会，以及，进行实验性的技术创新。” 总结一下，Short Circuit的核心是推陈出新。这个“新”主要体现在两方面——发掘新人才、利用新技术。至于视觉和故事上的创新，在有了新人和新技术以后，是水到渠成的事情。 2016年立项，迪士尼一次性攒了20部作品 迪士尼动画的官方推特在5月16日对外公布Short Circuit，不过据外媒报道，这项计划其实从2016年就已经开始，该计划推出的第一部作品是Jeff Gipson制作的《C...
Thanat（男主great饰演）和Wasan（男二pop饰演）是一起长大的警察的儿子。 从孩提时代起，两人都想成为与父亲有着相同意识形态的警察。 在担任麻醉品犯罪抑制司的检查员之后，Thanat有机会与Wasan一起寻找毒贩。 他们还会见了才华横溢的女警官Supika（女二mew饰演）。 她与Chalanthorn（女主Boom饰演）亲密无间，Chalanthorn是一个美丽的女孩，在与Sia Sunai（男三）相同的社交圈中广受欢迎，Sia Sunai（男三））拥有从事毒品交易业务的背景。女主是医学博士， Chalanthorn（女主）通过向警察提供机密信息开始与警察合作，这使她处于危险之中。 Thanat（男主）总是在她身边保护她，他们彼此之间发展感情。 在经历了许多危险情况之后，Wasan（男二）和Supika（女二）也会发生同样的情况。
一次偶然中，西德尼遇见了名为约翰的男子，他将穷困潦倒的约翰带到了赌场之中，教会了他赌术，希望约翰能够借此时来运转。在赌场，西德尼遇见了违反了赌场规定和客人进行肉体交易的女招待克莱门汀，哪知道克莱门汀和约翰一见面就坠入了情网，马上决定携手步入婚姻的殿堂。西德尼的朋友吉米找到了西德尼，他的手中握着一个属于西德尼的秘密。如今，吉米以这个秘密为筹码想要要挟和勒索西德尼，不料却惹上了杀身之祸。