无字天书

正邪两派，情仇血恨，《无字天书》的面世掀起武林争抢大战…… 武林之中邪恶当道，石啸群自幼被自持武功高强，横行一时的海沙帮帮主欧阳以收养，但因生性善良，为人正义而受欧阳以厌恶，并被同门师兄排斥，处处受尽欺凌。但也因祸得福，被霹雳邪神收为义子，授以三招绝学，并交护身战衣和一本武林秘笈――《无字天书》，但他却悟不透其中玄机，并一时大意被邪派所得，引起了一场血腥的正邪争夺大战，天书也在争斗中遗失而下落不明…… 不久，江湖上又出现了一本《有字天书》，持有者却是石啸群自幼一起长大的挚友――身世凄苦的孤儿苦儿。而苦儿已今非昔比，不但武功盖世更是性情大变，杀人如麻，武林再次掀起腥风血雨…… 这一切都是何等因由？《有字天书》又蕴藏着什么玄机？《无字天书》又在哪里？此时已双目失明的石啸群面对着好友、爱人，又该做出如何抉择？这场武林浩劫怎样才能拯救？

再见青春

正值事业春天的汪国栋（崔雨鑫 饰）在一个风和日丽的下午，收到了初恋情人柳冰（刘世琳 饰）葬礼的邀请函。已经而立之年的他在和柳冰分开的这些年中，曾经无数次幻想过和她再次重逢的场面，但没有一种是这样决绝的方式。她的死，把汪国栋被分手这些年对这个女人所有的怨恨和不甘心都反转成了最初的爱情，带着一堆问号和对柳冰的思念，汪国栋回到了当初他们从小一起长大的城市。在柳冰的葬礼上，他不仅重逢了这些年因为误解失去联系的少年挚友刘二斤（杨默 饰）和方杠子（陈欣 饰），还有这次葬礼的主人公，活着的柳冰。柳冰的出现，让汪国栋觉得自己再一次被她无情的耍了，也把他的回忆调整到了十几年前，不得不记起那些最真挚却又最想忘记的过往。然而得到了真相的汪国栋仿佛在找回过往的瞬间又再次失去了一切。

肉体创伤

一批为美军研制秘密武器的科学家神秘失踪。Tyler领导的海军陆战队员奉命前去查明真相，途中遭遇前所未见的强大敌人，一场大杀戮开始了…… On a remote US Army facility a group of scientists conducting top secret weapon experiments vanish. An elite covert ops team commanded by Lt. Tyler (Kevin Sorbo) is tasked with recovering the missing personnel within 24 hours. The unit arrives only to find out there objective may not be what it seems, what was strictly a search and rescue mission has now become search and destroy. With time running out and the death count rising Tylers team must begin the hunt or fall prey to a predator unlike any they have ever encountered.

高粱地里大麦熟

民国初年，河北某地一青年别离新婚妻子，到东北孙家台谋生。两年后接 来妻子，在山上一间草屋安家，夫妻和睦。不久，妻子生下儿子。但好景不长，在一次群殴中，丈夫被打成重伤，卧床不起，家庭顿时断绝了生活 来源。在借债无门的情况下，丈夫只 得将妻子抵押给妓院，期望身体康复，还清债务，再赎回妻子，夫妻团圆 。身体初愈后，他拼命干活存钱，但收入甚微。为早日赎回妻子，企图借 赌博赢钱。但结果却输掉了钱，也输掉了志气。一个粗鲁的巡官，看上了 他妻子，想娶为填房。为了生活，夫妻都同意了巡官的要求。巡官给丈夫安排了工作，将

不要问我从哪里来

一位美丽的紫衣少女突然闯入了年轻经济学家欧阳杰的生活。她总是不期而至，又神秘离去，道一声“不要问我从哪里来”，留下一束紫罗兰。少女的出现令欧阳杰怦然心动，他的生活从此不再平静。正当欧阳的朋友们要向公安局报告少女的可疑行径时，少女留下了一封信：原来她是东方警官大学的毕业生，选择了欧阳作为实习对象，训练自己尽快接近和掌握新目标、新人物的技能。少女已经爱上了欧阳，但她还是选择了事业，毅然离开。春去秋来，欧阳还在执着地等待着少女的出现……

七品神探

《七品神探》故事讲述了明英宗正统年间府衙推官赵铭久不畏权贵，秉公执法，屡破奇案的历程。全片通过一系列看似零散的小故事把赵铭久武艺高强，刚正不阿，神勇机智，忠于职守的形象特点展现在观众面前。

妄想学生会2剧场版

　　2020年07月10日にて『劇場版 生徒会役員共２』全国発射(上映)！

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

透纳先生

《透纳先生》讲述了英国画家约翰·透纳充满创作激情的一生，他曾经因创作手法过于先锋而备受诋毁，然而透纳视绘画创作为生命，一生佳作累累，即使临死前都挣扎着爬起床临摹一具女尸。他在晚年尤其自19世纪40年代...

黑道兄弟

性格叛逆的富家女安安（杨立菁 饰）为了逃避父亲逼她考大学的压力离家出走，结识了自幼父母双亡的小混混小康。俩人结伴前往台南，不料途中却遭黑社会追杀……

真·三国无双粤语版

电影根据同名游戏改编，讲述了动荡的东汉末年，汉室摇摇欲坠，董卓入京霸占朝野，引起天下动荡，身怀绝世武艺的曹操、吕布、刘备、关羽、张飞等各路英雄豪杰纷纷崛起，一场群雄逐鹿的大混战正式拉开序幕。在乱世中，到底谁才是真正的无双英雄……

最终骑士

《ENDRIDE》是由Brain's Base原创的电视动画，其内容围绕着居住在地球的少年，误入了地球内侧的世界“ENDRA”，并与欲向现任王子复仇的埃米利奥王子邂逅，从而开始的冒险幻想大作。电视动画预定于2016年4月开播，全24集。 　　ENDRIDE是一个位于地球另一边的广阔未知世界。这也是另外一个地球。而某天，生活在地上的普通少年·浅永瞬来到了这个地方，并且邂逅了有着复仇愿望的王子·埃米利奥。这场本来不该存在的邂逅，到底会给ENDRIDE带来怎样的命运呢？现在，少年们的故事开始了……[